There are countless web series about actors in L.A., but very few in which the actor is a ten-foot tall, alien robot. Enter hot hunk… of metal Jeff, the well-meaning, socially awkward robot hero of Wired and Condé Nast Entertainment’s new mockumentary web series, Jeff 1000. Check out my review of Jeff 1000 for the L.A. Weekly HERE and continue reading for my full interview with creator Michael Karnow and Wired’s Head of Digital Content, Rachel Samuels.
Web series are becoming popular all over the world. From Marseilles to Vancouver to Hollywood, festivals are popping up to celebrate the genre and award exceptional shows.
I just got back from my honeymoon in New Zealand (I’m actually a Kiwi transplant from Christchurch myself), so of course I started asking myself — what’s it like to create web series in NZ?
Sure Aotearoa may have made a name for itself in the film industry as the location of Kiwi Peter Jackson’s Lord of the Rings series and the shooting location of the next three Avatar movies, but with limited local industry opportunities, few TV channels and film funding available only for approved subject matter, aspiring film makers on this island of 4.4 million are turning their creative energies to the web with increasing enthusiasm.
And the GOVERNMENT is helping fund them — up to NZ $100k per series! Holy cow.
But where can current and future eyeballs go to see all these series? Luckily, award-winning magazine editor and publisher, film maker and entrepreneur Fiona Powell has created a sleek platform for NZ to show off its best and its brightest: Web Series Channel – NZ’s home of indie web TV. Here’s my interview with Fiona about everything going on in digital on the Land of the Long White Cloud.
Distracted by free T-shirt swag, I blindly stumbled into Broadband TV’s booth at VidCon this year. Between selecting the “Watch Me On….” logo for my t-shirt and managing the two 12 year old girls I had brought with me, I learned about VISO, Broadband’s new networking community for content creators. Luckily, someone screamed that iJustine had just blinked nearby and the girls ran off, allowing me the pleasure of chatting one on one with Andrew Wall, or Awall, who’s the head of The Gaming Network (TGN) and been with Broadband TV for almost two years. – Erin Stegeman
Let’s face it, nobody wants to spend hours searching the internet for quality web series. It’s annoying enough to search for a good show on our five hundred cable channels. Now we’re expected to find great programming on countless websites and YouTube channels? Which explains why curation is the next big thing in web content, with numerous companies vying to become the trusted brand name in web series curation.
This week I interviewed David S. Samuels, CEO KoldCast.tv, one of the premiere international online networks for web series, short films and documentaries. KoldCast has a very different model and attitude towards content than JTS.tv, whose CEO I interviewed previously. Most shows launch on a combination of networks or premiere on one and move to others. David shares his insights on how to view your show as a business and the future of content consumption on the web.
How does a show end up on your site?
Virtually every show we license has been submitted to us for distribution consideration. At this time KoldCast receives over 125 monthly submissions from filmmakers/producers eager to see their Show on our Network. We curate from this group and select the shows that meet our internal requirements. Out of each group of monthly submissions, we hope to be able to license six to eight shows.
Where do you go (physically and on the web) to scout scripted content for your site? Or do you only use your submission option?
We look at everything submitted to us, but the majority of our shows to date have come through contacts we had prior to starting JTS.TV. All three of the co-founders (Matt Arevalo, Louis Blitzman, and myself) have produced in the independent realm. My primary business used to be working with filmmakers on the business and legal side of film, and some of the first shows were from clients of mine. Continue reading